24

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The group in 1966. From left: Rick Andridge, Daryl Hooper, Sky Saxon, and Jan Savage
Background information
OriginLos Angeles, California, United States
GenresPsychedelic rock,[1]acid rock,[2]garage rock, proto-punk
Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009
LabelsGNP Crescendo, MGM Records, Bam Caruso
MembersDaryl Hooper
Jan Savage
Don Boomer
Paul Kopf
Jeff Prentice
Alec Palao
Past membersSky Saxon
Daryl Hooper
Jan Savage
Rick Andridge
Don Boomer
Bob Norsoph
Bill Chiapparelli

The Popmundo Bible is a website which serves the purpose of listing every skill, recipe and quest available on Popmundo, an online roleplaying game. R/Popmundo: Popmundo is an online role-playing game and community where the players strive for fame in a virtual music industry.

The Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for psychedelic rock music and is considered a prototype for garage punk rock bands.[3][4][5][6]

History[edit]

The Seeds were formed in 1965 when lead singer Sky Saxon responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh. The band secured regular gigs at the LA club Bido Lito's and quickly gained a local reputation for high energy live performances.[7]

Keyboardist Daryl Hooper was a major factor in the Seeds' sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as Ray Manzarek later did with The Doors.

The Seeds' first single, 'Can't Seem to Make You Mine', was a regional hit in Southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song. The band had a national Top 40 hit, 'Pushin' Too Hard', in 1966 and performed the song on national television. Three subsequent singles, 'Mr. Farmer' (also 1966), a re-release of 'Can't Seem To Make You Mine' (1967), and 'A Thousand Shadows' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon's unorthodox vocal delivery, their first two albums, The Seeds and A Web of Sound, are today considered classics of 1960s garage music.[citation needed]

What is stage presence. Definition of stage presence in English: stage presence. The ability to command the attention of a theater audience by the impressiveness of one's manner or appearance. More example sentences ‘The competitors will be judged on vocal talent, appearance, originality of performance and stage presence.’. Stage presence definition is - a quality that attracts attention on the stage. How to use stage presence in a sentence.

A major turning point for the Seeds came in 1967. The band's self-produced third album Future presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a gatefold sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band's previous hits, but nevertheless received acclaim from fans and critics as a notable work of flower powerpsychedelia. It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock. Iggy Pop, Smashing Pumpkins, Animal Collective and members of the Beach Boys have all sourced the band, mentioning this album and previous ones as genre classics.[citation needed]

The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom The Mothers-in-Law and in the hippie/counterculture-themed cult filmPsych-Out. The Seeds also recorded another album devoted specifically to the blues (with liner notes by Muddy Waters). A Full Spoon of Seedy Blues, bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.

In May 1968 the band released their final LP for GNP Crescendo Records, Raw & Alive: The Seeds in Concert at Merlin's Music Box, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single 'Satisfy You' both failed to chart nationally. The band was renamed 'Sky Saxon and the Seeds' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name 'The Seeds', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.

After the dissolution of the Seeds, Sky Saxon joined the Yahowha religious group, inspired by their leader Father Yod. Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the 'Golden Sunrise' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the 'Yod Ship Suite' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs 'Lovers Cosmic Voyage' (credited to Sunlight) and 'Live at the Orpheum' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including Redd Kross and The Chesterfield Kings—before reforming the original Seeds in 1989 to headline 'The Summer of Love Tour', along with Big Brother and the Holding Company, Arthur Lee and Love, The Music Machine, and The Strawberry Alarm Clock.[citation needed]

The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health. Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of heart and renal failure.[8] The Seeds' original drummer Rick Andridge died in 2011.[9]

Legacy and influence[edit]

The Seeds have been among the most frequently cited pre-punk influences by American punk musicians since the 1970s. Cover versions of various Seeds songs have been recorded by The Dwarves, Alex Chilton,[10]Johnny Thunders,[11]The Ramones,[12]Yo La Tengo,[13]Garbage,[14]Murder City Devils,[15]Spirits in the Sky,[16]Paul Parker,[17]Pere Ubu,[18]The Makers,[19]The Embarrassment,[20]The Bangles,[21]The Rubinoos,[22]Strawberry Alarm Clock,[23] and other artists. Some lyrics in Frank Zappa's album Joe's Garage satirically refer to 'Pushin' Too Hard': 'You're plooking too hard, Plooking too hard on ME'.[24]

On July 24, 2009, members of The Smashing Pumpkins, Members of The Strawberry Alarm Clock, Nels Kline and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in memory of Sky Saxon.[25]

A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin' Too Hard was directed by Neil Norman. The film draws on first-hand knowledge of the band, interviews, and concert footage. [3][26][27] In June 2017, a 'reunited version' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in Grass Valley, California. The band continues to perform to this day. [28]

Discography[edit]

Studio albums[edit]

  • The Seeds (1966)
  • A Web of Sound (1966)
  • Future (1967)
  • A Full Spoon of Seedy Blues (as the Sky Saxon Blues Band) (1967)
  • Raw & Alive: The Seeds in Concert at Merlin's Music Box (1968)
  • Fallin' Off the Edge (1977)
  • Bad Part of Town (1982)
  • Evil Hoodoo (1988)
  • Travel with Your Mind (1993)
  • Red Planet (2004)
  • Back to the Garden (2008)
  • The Seeds (reissued in mono with unreleased tracks) (2013)
  • Web of Sound (double CD mono/stereo reissued with unreleased tracks) (2014)
  • Future (double CD mono/stereo reissued with unreleased tracks) (2014)
  • Raw & Alive (double CD two concerts, the original without screaming and with crowd, and another earlier studio concert) (2014)

Singles[edit]

Popmundo Wiki
YearSongPeak chart positions
U.S. Billboard[29]U.S. CashboxCAN
1965'Can't Seem to Make You Mine'
b/w 'Daisy Mae'
'Pushin' Too Hard'
b/w 'Out of the Question'
1966'Pushin' Too Hard' (re-release)
b/w 'Try to Understand'
3640[30]44
'Mr. Farmer'
b/w 'No Escape'
1967'Mr. Farmer' (re-release)
b/w 'Up in Her Room'
86
'Can't Seem to Make You Mine' (re-release)
b/w 'I Tell Myself'
4155[31]33
'A Thousand Shadows'
b/w 'March of the Flower Children'
7286[32]
'The Wind Blows Your Hair'
b/w 'Six Dreams'
1968'Satisfy You'
b/w '900 Million People Daily Making Love'
1969'Fallin' Off the Edge of My Mind'
b/w 'Wild Blood'
'—' denotes releases that did not chart.

References[edit]

  1. ^Reid, Graham (October 13, 2014). 'The Seeds: Singles As and Bs 1065–1970 (Big Beat/Border)'. Retrieved September 17, 2016.
  2. ^Patoski, Joe Nick (February 1979). 'Gather Ye Records While Ye May'. Texas Monthly. Vol. 7 no. 2. p. 144. ISSN0148-7736.
  3. ^ abBrian Addison (July 10, 2014). 'Prototype Garage Punk Band The Seeds to Have Documentary Screening in Long Beach'. Long Beach Post. Retrieved May 11, 2016.
  4. ^Weber, Bruce (June 26, 2009). 'Sky Saxon, Lead Singer and Bassist for the Seeds, Dies'. The New York Times.
  5. ^Pehling, Dave (January 1, 2019). 'Iconic LA Bands From '60s Team Up at the Chapel'. San Francisco: CBS News.
  6. ^Peter Buckley (2003). The Rough Guide to Rock. Rough Guides. p. 916.
  7. ^Spitz, Mark (2001). We Got the Neutron Bomb: The Untold Story of L.A. Punk. Danvers, Massachusetts: Three Rivers Press. p. 2. ISBN978-0-609-80774-3. Retrieved May 12, 2016.
  8. ^'Yahoo'. Spinner.com. Retrieved August 13, 2019.
  9. ^''The Seeds: Pushin' Too Hard': Film Review'. The Hollywood Reporter. Retrieved August 13, 2019.
  10. ^''Bangkok/Can't Seem to Make You Mine' – Overview'. AllMusic. Retrieved January 24, 2012.
  11. ^Schoemer, Karen (April 1989). 'Spin Offs'. Spin. SPIN Media LLC. 5 (1): 113. ISSN0886-3032.
  12. ^'Album Reviews'. Billboard. 106 (3): 44. January 15, 1994. ISSN0006-2510.
  13. ^Robbins, Ira. 'Trouser Press – Yo La Tengo'. Trouser Press. Retrieved January 24, 2012.
  14. ^Strong, Martin Charles (2006). The Great Rock Discography. Edinburgh: Canongate Books. p. 431. ISBN978-1-84195-860-6.
  15. ^Cantalini, Chris (August 25, 2007). 'Can't Seem to Make You Mine'. Gorilla vs. Bear. Retrieved January 24, 2012.
  16. ^Bronson, Kevin (August 29, 2009). 'Billy Corgan, Dave Navarro Debut 10 Songs'. Spin. Retrieved January 24, 2012.
  17. ^Shapiro, Peter (2006). Turn the Beat Around: The Secret History of Disco. New York: Faber and Faber. p. 79. ISBN978-0-86547-952-4.
  18. ^'Datapanik in Year Zero - Overview'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  19. ^'Shout On!/Hip-Notic – Overview'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  20. ^'Blister Pop – Overview'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  21. ^McIntosh, Dan (August 14, 2007). 'The Bangles: Return to Bangleonia: Live in Concert [DVD]'. PopMatters). Retrieved August 2, 2010.
  22. ^'Everything You Always Wanted to Know About the Rubinoos – Overview'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  23. ^Britton, Wesley (June 24, 2012). 'Music Review: Strawberry Alarm Clock – 'Wake Up Where You Are''. Seattle Post-Intelligencer. Retrieved August 7, 2012.
  24. ^McDonald, Lisa (October 27, 2010). 'Project/Object an interview with Andre Cholmondeley'. TimesSquare.com. Retrieved June 28, 2012.
  25. ^'A Tribute to Sky Saxon – at The Echoplex – Los Angeles / Silverlake, CA – July 24, 2009'. Big Wheel Magazine. July 24, 2009. Retrieved December 18, 2012.
  26. ^Stax, Mike (2013). 'A Web of Seeds' Issue 35, Ugly Things Magazine.
  27. ^Kubernik, Harvey (2013). 'Pushin' Too Hard: Rags to Riches in the New Seeds Documentary' recordcollectornews.com. Retrieved August 21, 2013
  28. ^Lynch, Joe (June 2, 2017). 'The Seeds: Pioneering Garage Rock Drummer Talks '60s Revolution & Reuniting Nearly 50 Years Later'. Billboard.
  29. ^'The Seeds Album & Song Chart History'. Billboard. Retrieved October 17, 2012.
  30. ^'Cash Box Top 100 2/25/67'. Cashbox Magazine, Inc. Archived from the original on August 14, 2012. Retrieved October 17, 2012.
  31. ^'Cash Box Top 100 6/3/67'. Cashbox Magazine, Inc. Archived from the original on September 5, 2012. Retrieved October 17, 2012.
  32. ^'Cash Box Top 100 8/5/67'. Cashbox Magazine, Inc. Archived from the original on September 11, 2012. Retrieved October 17, 2012.

External links[edit]

Retrieved from 'https://en.wikipedia.org/w/index.php?title=The_Seeds&oldid=931499914'

The group in 1966. From left: Rick Andridge, Daryl Hooper, and Jan SavageBackground informationOriginLos Angeles, California, United StatesGenres,Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009Labels, Bam CarusoMembersDaryl HooperJan SavageDon BoomerPaul KopfJeff PrenticeAlec PalaoPast membersDaryl HooperJan SavageRick AndridgeDon BoomerBob NorsophBill ChiapparelliThe Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for music and is considered a prototype for rock bands. Contents.History The Seeds were formed in 1965 when lead singer responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh.

The band secured regular gigs at the LA club Bido Lito's and quickly gained a local reputation for high energy live performances.Keyboardist Daryl Hooper was a major factor in the Seeds' sound; the band was one of the first to utilize. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as later did with.The Seeds' first single, ', was a regional in in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song.

The band had a national hit, ', in 1966 and performed the song on national television. Three subsequent singles, ' (also 1966), a re-release of 'Can't Seem To Make You Mine' (1967), and ' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon's unorthodox vocal delivery, their first two albums, and, are today considered classics of 1960s music. Tiny troopers game. A major turning point for the Seeds came in 1967. The band's self-produced third album presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band's previous hits, but nevertheless received acclaim from fans and critics as a notable work of.

It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock., and members of the have all sourced the band, mentioning this album and previous ones as genre classics. The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom and in the /-themed. The Seeds also recorded another album devoted specifically to the blues (with liner notes by )., bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.In May 1968 the band released their final LP for GNP Crescendo Records, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single 'Satisfy You' both failed to chart nationally. The band was renamed 'Sky Saxon and the Seeds' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name 'The Seeds', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.After the dissolution of the Seeds, Sky Saxon joined the religious group, inspired by their leader.

Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the 'Golden Sunrise' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the 'Yod Ship Suite' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs 'Lovers Cosmic Voyage' (credited to Sunlight) and 'Live at the Orpheum' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including and —before reforming the original Seeds in 1989 to headline 'The Summer of Love Tour', along with, and, and The. The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health.

Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of. The Seeds' original drummer Rick Andridge died in 2011. Legacy and influence The Seeds have been among the most frequently cited pre-punk influences by American musicians since the 1970s.

Cover versions of various Seeds songs have been recorded by, and other artists. Some lyrics in 's album satirically refer to 'Pushin' Too Hard': 'You're plooking too hard, Plooking too hard on ME'.On July 24, 2009, members of, and performed a tribute concert at the Echoplex in Los Angeles in memory of.A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin' Too Hard was directed by Neil Norman.

The film draws on first-hand knowledge of the band, interviews, and concert footage. In June 2017, a 'reunited version' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in.

The band continues to perform to this day. (October 13, 2014). Retrieved September 17, 2016. Patoski, Joe Nick (February 1979). Vol. 7 no. 2.

P. 144. ^ Brian Addison (July 10, 2014).

Long Beach Post. Retrieved May 11, 2016. Weber, Bruce (June 26, 2009).

The New York Times. Pehling, Dave (January 1, 2019). San Francisco: CBS News.

Peter Buckley (2003). Rough Guides. P. 916. Spitz, Mark (2001). Danvers, Massachusetts: Three Rivers Press. Retrieved May 12, 2016. Retrieved August 13, 2019.

Retrieved August 13, 2019. Retrieved January 24, 2012. Schoemer, Karen (April 1989). 'Spin Offs'.

SPIN Media LLC. 5 (1): 113. 'Album Reviews'. January 15, 1994.

Robbins, Ira. Retrieved January 24, 2012.

Strong, Martin Charles (2006). The Great Rock Discography. P. 431. Cantalini, Chris (August 25, 2007). Retrieved January 24, 2012. Bronson, Kevin (August 29, 2009). Retrieved January 24, 2012.

Shapiro, Peter (2006). Retrieved August 2, 2010. Retrieved August 2, 2010. Retrieved August 2, 2010.

McIntosh, Dan (August 14, 2007). Retrieved August 2, 2010.

Retrieved August 2, 2010. Britton, Wesley (June 24, 2012). Retrieved August 7, 2012. McDonald, Lisa (October 27, 2010).

Retrieved June 28, 2012. Big Wheel Magazine. July 24, 2009.

Retrieved December 18, 2012. Stax, Mike (2013). 'A Web of Seeds' Issue 35, Ugly Things Magazine. Kubernik, Harvey (2013).

Retrieved August 21, 2013. Lynch, Joe (June 2, 2017). Retrieved October 17, 2012.

Archived from on August 14, 2012. Retrieved October 17, 2012. Archived from on September 5, 2012. Retrieved October 17, 2012. Archived from on September 11, 2012.

Retrieved October 17, 2012.External links.

The group in 1966. From left: Rick Andridge, Daryl Hooper, Sky Saxon, and Jan Savage
Background information
OriginLos Angeles, California, United States
GenresPsychedelic rock,[1]acid rock,[2]garage rock, proto-punk
Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009
LabelsGNP Crescendo, MGM Records, Bam Caruso
MembersDaryl Hooper
Jan Savage
Don Boomer
Paul Kopf
Jeff Prentice
Alec Palao
Past membersSky Saxon
Daryl Hooper
Jan Savage
Rick Andridge
Don Boomer
Bob Norsoph
Bill Chiapparelli

The Popmundo Bible is a website which serves the purpose of listing every skill, recipe and quest available on Popmundo, an online roleplaying game. R/Popmundo: Popmundo is an online role-playing game and community where the players strive for fame in a virtual music industry.

The Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for psychedelic rock music and is considered a prototype for garage punk rock bands.[3][4][5][6]

History[edit]

The Seeds were formed in 1965 when lead singer Sky Saxon responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh. The band secured regular gigs at the LA club Bido Lito\'s and quickly gained a local reputation for high energy live performances.[7]

Keyboardist Daryl Hooper was a major factor in the Seeds\' sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds\' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as Ray Manzarek later did with The Doors.

The Seeds\' first single, \'Can\'t Seem to Make You Mine\', was a regional hit in Southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song. The band had a national Top 40 hit, \'Pushin\' Too Hard\', in 1966 and performed the song on national television. Three subsequent singles, \'Mr. Farmer\' (also 1966), a re-release of \'Can\'t Seem To Make You Mine\' (1967), and \'A Thousand Shadows\' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon\'s unorthodox vocal delivery, their first two albums, The Seeds and A Web of Sound, are today considered classics of 1960s garage music.[citation needed]

What is stage presence. Definition of stage presence in English: stage presence. The ability to command the attention of a theater audience by the impressiveness of one\'s manner or appearance. More example sentences ‘The competitors will be judged on vocal talent, appearance, originality of performance and stage presence.’. Stage presence definition is - a quality that attracts attention on the stage. How to use stage presence in a sentence.

A major turning point for the Seeds came in 1967. The band\'s self-produced third album Future presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a gatefold sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band\'s previous hits, but nevertheless received acclaim from fans and critics as a notable work of flower powerpsychedelia. It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock. Iggy Pop, Smashing Pumpkins, Animal Collective and members of the Beach Boys have all sourced the band, mentioning this album and previous ones as genre classics.[citation needed]

The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom The Mothers-in-Law and in the hippie/counterculture-themed cult filmPsych-Out. The Seeds also recorded another album devoted specifically to the blues (with liner notes by Muddy Waters). A Full Spoon of Seedy Blues, bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.

In May 1968 the band released their final LP for GNP Crescendo Records, Raw & Alive: The Seeds in Concert at Merlin\'s Music Box, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single \'Satisfy You\' both failed to chart nationally. The band was renamed \'Sky Saxon and the Seeds\' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name \'The Seeds\', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.

After the dissolution of the Seeds, Sky Saxon joined the Yahowha religious group, inspired by their leader Father Yod. Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the \'Golden Sunrise\' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the \'Yod Ship Suite\' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs \'Lovers Cosmic Voyage\' (credited to Sunlight) and \'Live at the Orpheum\' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including Redd Kross and The Chesterfield Kings—before reforming the original Seeds in 1989 to headline \'The Summer of Love Tour\', along with Big Brother and the Holding Company, Arthur Lee and Love, The Music Machine, and The Strawberry Alarm Clock.[citation needed]

The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health. Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of heart and renal failure.[8] The Seeds\' original drummer Rick Andridge died in 2011.[9]

Legacy and influence[edit]

The Seeds have been among the most frequently cited pre-punk influences by American punk musicians since the 1970s. Cover versions of various Seeds songs have been recorded by The Dwarves, Alex Chilton,[10]Johnny Thunders,[11]The Ramones,[12]Yo La Tengo,[13]Garbage,[14]Murder City Devils,[15]Spirits in the Sky,[16]Paul Parker,[17]Pere Ubu,[18]The Makers,[19]The Embarrassment,[20]The Bangles,[21]The Rubinoos,[22]Strawberry Alarm Clock,[23] and other artists. Some lyrics in Frank Zappa\'s album Joe\'s Garage satirically refer to \'Pushin\' Too Hard\': \'You\'re plooking too hard, Plooking too hard on ME\'.[24]

On July 24, 2009, members of The Smashing Pumpkins, Members of The Strawberry Alarm Clock, Nels Kline and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in memory of Sky Saxon.[25]

A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin\' Too Hard was directed by Neil Norman. The film draws on first-hand knowledge of the band, interviews, and concert footage. [3][26][27] In June 2017, a \'reunited version\' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in Grass Valley, California. The band continues to perform to this day. [28]

Discography[edit]

Studio albums[edit]

  • The Seeds (1966)
  • A Web of Sound (1966)
  • Future (1967)
  • A Full Spoon of Seedy Blues (as the Sky Saxon Blues Band) (1967)
  • Raw & Alive: The Seeds in Concert at Merlin\'s Music Box (1968)
  • Fallin\' Off the Edge (1977)
  • Bad Part of Town (1982)
  • Evil Hoodoo (1988)
  • Travel with Your Mind (1993)
  • Red Planet (2004)
  • Back to the Garden (2008)
  • The Seeds (reissued in mono with unreleased tracks) (2013)
  • Web of Sound (double CD mono/stereo reissued with unreleased tracks) (2014)
  • Future (double CD mono/stereo reissued with unreleased tracks) (2014)
  • Raw & Alive (double CD two concerts, the original without screaming and with crowd, and another earlier studio concert) (2014)

Singles[edit]

\'Popmundo
YearSongPeak chart positions
U.S. Billboard[29]U.S. CashboxCAN
1965\'Can\'t Seem to Make You Mine\'
b/w \'Daisy Mae\'
\'Pushin\' Too Hard\'
b/w \'Out of the Question\'
1966\'Pushin\' Too Hard\' (re-release)
b/w \'Try to Understand\'
3640[30]44
\'Mr. Farmer\'
b/w \'No Escape\'
1967\'Mr. Farmer\' (re-release)
b/w \'Up in Her Room\'
86
\'Can\'t Seem to Make You Mine\' (re-release)
b/w \'I Tell Myself\'
4155[31]33
\'A Thousand Shadows\'
b/w \'March of the Flower Children\'
7286[32]
\'The Wind Blows Your Hair\'
b/w \'Six Dreams\'
1968\'Satisfy You\'
b/w \'900 Million People Daily Making Love\'
1969\'Fallin\' Off the Edge of My Mind\'
b/w \'Wild Blood\'
'—\' denotes releases that did not chart.

References[edit]

  1. ^Reid, Graham (October 13, 2014). \'The Seeds: Singles As and Bs 1065–1970 (Big Beat/Border)\'. Retrieved September 17, 2016.
  2. ^Patoski, Joe Nick (February 1979). \'Gather Ye Records While Ye May\'. Texas Monthly. Vol. 7 no. 2. p. 144. ISSN0148-7736.
  3. ^ abBrian Addison (July 10, 2014). \'Prototype Garage Punk Band The Seeds to Have Documentary Screening in Long Beach\'. Long Beach Post. Retrieved May 11, 2016.
  4. ^Weber, Bruce (June 26, 2009). \'Sky Saxon, Lead Singer and Bassist for the Seeds, Dies\'. The New York Times.
  5. ^Pehling, Dave (January 1, 2019). \'Iconic LA Bands From \'60s Team Up at the Chapel\'. San Francisco: CBS News.
  6. ^Peter Buckley (2003). The Rough Guide to Rock. Rough Guides. p. 916.
  7. ^Spitz, Mark (2001). We Got the Neutron Bomb: The Untold Story of L.A. Punk. Danvers, Massachusetts: Three Rivers Press. p. 2. ISBN978-0-609-80774-3. Retrieved May 12, 2016.
  8. ^\'Yahoo\'. Spinner.com. Retrieved August 13, 2019.
  9. ^\'\'The Seeds: Pushin\' Too Hard\': Film Review\'. The Hollywood Reporter. Retrieved August 13, 2019.
  10. ^\'\'Bangkok/Can\'t Seem to Make You Mine\' – Overview\'. AllMusic. Retrieved January 24, 2012.
  11. ^Schoemer, Karen (April 1989). \'Spin Offs\'. Spin. SPIN Media LLC. 5 (1): 113. ISSN0886-3032.
  12. ^\'Album Reviews\'. Billboard. 106 (3): 44. January 15, 1994. ISSN0006-2510.
  13. ^Robbins, Ira. \'Trouser Press – Yo La Tengo\'. Trouser Press. Retrieved January 24, 2012.
  14. ^Strong, Martin Charles (2006). The Great Rock Discography. Edinburgh: Canongate Books. p. 431. ISBN978-1-84195-860-6.
  15. ^Cantalini, Chris (August 25, 2007). \'Can\'t Seem to Make You Mine\'. Gorilla vs. Bear. Retrieved January 24, 2012.
  16. ^Bronson, Kevin (August 29, 2009). \'Billy Corgan, Dave Navarro Debut 10 Songs\'. Spin. Retrieved January 24, 2012.
  17. ^Shapiro, Peter (2006). Turn the Beat Around: The Secret History of Disco. New York: Faber and Faber. p. 79. ISBN978-0-86547-952-4.
  18. ^\'Datapanik in Year Zero - Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  19. ^\'Shout On!/Hip-Notic – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  20. ^\'Blister Pop – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  21. ^McIntosh, Dan (August 14, 2007). \'The Bangles: Return to Bangleonia: Live in Concert [DVD]\'. PopMatters). Retrieved August 2, 2010.
  22. ^\'Everything You Always Wanted to Know About the Rubinoos – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
  23. ^Britton, Wesley (June 24, 2012). \'Music Review: Strawberry Alarm Clock – \'Wake Up Where You Are\'\'. Seattle Post-Intelligencer. Retrieved August 7, 2012.
  24. ^McDonald, Lisa (October 27, 2010). \'Project/Object an interview with Andre Cholmondeley\'. TimesSquare.com. Retrieved June 28, 2012.
  25. ^\'A Tribute to Sky Saxon – at The Echoplex – Los Angeles / Silverlake, CA – July 24, 2009\'. Big Wheel Magazine. July 24, 2009. Retrieved December 18, 2012.
  26. ^Stax, Mike (2013). \'A Web of Seeds\' Issue 35, Ugly Things Magazine.
  27. ^Kubernik, Harvey (2013). \'Pushin\' Too Hard: Rags to Riches in the New Seeds Documentary\' recordcollectornews.com. Retrieved August 21, 2013
  28. ^Lynch, Joe (June 2, 2017). \'The Seeds: Pioneering Garage Rock Drummer Talks \'60s Revolution & Reuniting Nearly 50 Years Later\'. Billboard.
  29. ^\'The Seeds Album & Song Chart History\'. Billboard. Retrieved October 17, 2012.
  30. ^\'Cash Box Top 100 2/25/67\'. Cashbox Magazine, Inc. Archived from the original on August 14, 2012. Retrieved October 17, 2012.
  31. ^\'Cash Box Top 100 6/3/67\'. Cashbox Magazine, Inc. Archived from the original on September 5, 2012. Retrieved October 17, 2012.
  32. ^\'Cash Box Top 100 8/5/67\'. Cashbox Magazine, Inc. Archived from the original on September 11, 2012. Retrieved October 17, 2012.

External links[edit]

Retrieved from \'https://en.wikipedia.org/w/index.php?title=The_Seeds&oldid=931499914\'

The group in 1966. From left: Rick Andridge, Daryl Hooper, and Jan SavageBackground informationOriginLos Angeles, California, United StatesGenres,Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009Labels, Bam CarusoMembersDaryl HooperJan SavageDon BoomerPaul KopfJeff PrenticeAlec PalaoPast membersDaryl HooperJan SavageRick AndridgeDon BoomerBob NorsophBill ChiapparelliThe Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for music and is considered a prototype for rock bands. Contents.History The Seeds were formed in 1965 when lead singer responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh.

The band secured regular gigs at the LA club Bido Lito\'s and quickly gained a local reputation for high energy live performances.Keyboardist Daryl Hooper was a major factor in the Seeds\' sound; the band was one of the first to utilize. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds\' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as later did with.The Seeds\' first single, \', was a regional in in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song.

The band had a national hit, \', in 1966 and performed the song on national television. Three subsequent singles, \' (also 1966), a re-release of \'Can\'t Seem To Make You Mine\' (1967), and \' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon\'s unorthodox vocal delivery, their first two albums, and, are today considered classics of 1960s music. Tiny troopers game. A major turning point for the Seeds came in 1967. The band\'s self-produced third album presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band\'s previous hits, but nevertheless received acclaim from fans and critics as a notable work of.

It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock., and members of the have all sourced the band, mentioning this album and previous ones as genre classics. The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom and in the /-themed. The Seeds also recorded another album devoted specifically to the blues (with liner notes by )., bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.In May 1968 the band released their final LP for GNP Crescendo Records, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single \'Satisfy You\' both failed to chart nationally. The band was renamed \'Sky Saxon and the Seeds\' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name \'The Seeds\', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.After the dissolution of the Seeds, Sky Saxon joined the religious group, inspired by their leader.

Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the \'Golden Sunrise\' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the \'Yod Ship Suite\' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs \'Lovers Cosmic Voyage\' (credited to Sunlight) and \'Live at the Orpheum\' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including and —before reforming the original Seeds in 1989 to headline \'The Summer of Love Tour\', along with, and, and The. The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health.

Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of. The Seeds\' original drummer Rick Andridge died in 2011. Legacy and influence The Seeds have been among the most frequently cited pre-punk influences by American musicians since the 1970s.

Cover versions of various Seeds songs have been recorded by, and other artists. Some lyrics in \'s album satirically refer to \'Pushin\' Too Hard\': \'You\'re plooking too hard, Plooking too hard on ME\'.On July 24, 2009, members of, and performed a tribute concert at the Echoplex in Los Angeles in memory of.A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin\' Too Hard was directed by Neil Norman.

The film draws on first-hand knowledge of the band, interviews, and concert footage. In June 2017, a \'reunited version\' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in.

The band continues to perform to this day. (October 13, 2014). Retrieved September 17, 2016. Patoski, Joe Nick (February 1979). Vol. 7 no. 2.

P. 144. ^ Brian Addison (July 10, 2014).

Long Beach Post. Retrieved May 11, 2016. Weber, Bruce (June 26, 2009).

The New York Times. Pehling, Dave (January 1, 2019). San Francisco: CBS News.

Peter Buckley (2003). Rough Guides. P. 916. Spitz, Mark (2001). Danvers, Massachusetts: Three Rivers Press. Retrieved May 12, 2016. Retrieved August 13, 2019.

Retrieved August 13, 2019. Retrieved January 24, 2012. Schoemer, Karen (April 1989). \'Spin Offs\'.

SPIN Media LLC. 5 (1): 113. \'Album Reviews\'. January 15, 1994.

Robbins, Ira. Retrieved January 24, 2012.

Strong, Martin Charles (2006). The Great Rock Discography. P. 431. Cantalini, Chris (August 25, 2007). Retrieved January 24, 2012. Bronson, Kevin (August 29, 2009). Retrieved January 24, 2012.

Shapiro, Peter (2006). Retrieved August 2, 2010. Retrieved August 2, 2010. Retrieved August 2, 2010.

McIntosh, Dan (August 14, 2007). Retrieved August 2, 2010.

Retrieved August 2, 2010. Britton, Wesley (June 24, 2012). Retrieved August 7, 2012. McDonald, Lisa (October 27, 2010).

Retrieved June 28, 2012. Big Wheel Magazine. July 24, 2009.

Retrieved December 18, 2012. Stax, Mike (2013). \'A Web of Seeds\' Issue 35, Ugly Things Magazine. Kubernik, Harvey (2013).

Retrieved August 21, 2013. Lynch, Joe (June 2, 2017). Retrieved October 17, 2012.

Archived from on August 14, 2012. Retrieved October 17, 2012. Archived from on September 5, 2012. Retrieved October 17, 2012. Archived from on September 11, 2012.

Retrieved October 17, 2012.External links.

...'>Popmundo Wiki(24.03.2020)
  • appliberty.netlify.app▲▲▲ Popmundo Wiki ▲▲▲
  • The group in 1966. From left: Rick Andridge, Daryl Hooper, Sky Saxon, and Jan Savage
    Background information
    OriginLos Angeles, California, United States
    GenresPsychedelic rock,[1]acid rock,[2]garage rock, proto-punk
    Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009
    LabelsGNP Crescendo, MGM Records, Bam Caruso
    MembersDaryl Hooper
    Jan Savage
    Don Boomer
    Paul Kopf
    Jeff Prentice
    Alec Palao
    Past membersSky Saxon
    Daryl Hooper
    Jan Savage
    Rick Andridge
    Don Boomer
    Bob Norsoph
    Bill Chiapparelli

    The Popmundo Bible is a website which serves the purpose of listing every skill, recipe and quest available on Popmundo, an online roleplaying game. R/Popmundo: Popmundo is an online role-playing game and community where the players strive for fame in a virtual music industry.

    The Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for psychedelic rock music and is considered a prototype for garage punk rock bands.[3][4][5][6]

    History[edit]

    The Seeds were formed in 1965 when lead singer Sky Saxon responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh. The band secured regular gigs at the LA club Bido Lito\'s and quickly gained a local reputation for high energy live performances.[7]

    Keyboardist Daryl Hooper was a major factor in the Seeds\' sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds\' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as Ray Manzarek later did with The Doors.

    The Seeds\' first single, \'Can\'t Seem to Make You Mine\', was a regional hit in Southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song. The band had a national Top 40 hit, \'Pushin\' Too Hard\', in 1966 and performed the song on national television. Three subsequent singles, \'Mr. Farmer\' (also 1966), a re-release of \'Can\'t Seem To Make You Mine\' (1967), and \'A Thousand Shadows\' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon\'s unorthodox vocal delivery, their first two albums, The Seeds and A Web of Sound, are today considered classics of 1960s garage music.[citation needed]

    What is stage presence. Definition of stage presence in English: stage presence. The ability to command the attention of a theater audience by the impressiveness of one\'s manner or appearance. More example sentences ‘The competitors will be judged on vocal talent, appearance, originality of performance and stage presence.’. Stage presence definition is - a quality that attracts attention on the stage. How to use stage presence in a sentence.

    A major turning point for the Seeds came in 1967. The band\'s self-produced third album Future presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a gatefold sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band\'s previous hits, but nevertheless received acclaim from fans and critics as a notable work of flower powerpsychedelia. It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock. Iggy Pop, Smashing Pumpkins, Animal Collective and members of the Beach Boys have all sourced the band, mentioning this album and previous ones as genre classics.[citation needed]

    The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom The Mothers-in-Law and in the hippie/counterculture-themed cult filmPsych-Out. The Seeds also recorded another album devoted specifically to the blues (with liner notes by Muddy Waters). A Full Spoon of Seedy Blues, bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.

    In May 1968 the band released their final LP for GNP Crescendo Records, Raw & Alive: The Seeds in Concert at Merlin\'s Music Box, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single \'Satisfy You\' both failed to chart nationally. The band was renamed \'Sky Saxon and the Seeds\' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name \'The Seeds\', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.

    After the dissolution of the Seeds, Sky Saxon joined the Yahowha religious group, inspired by their leader Father Yod. Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the \'Golden Sunrise\' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the \'Yod Ship Suite\' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs \'Lovers Cosmic Voyage\' (credited to Sunlight) and \'Live at the Orpheum\' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including Redd Kross and The Chesterfield Kings—before reforming the original Seeds in 1989 to headline \'The Summer of Love Tour\', along with Big Brother and the Holding Company, Arthur Lee and Love, The Music Machine, and The Strawberry Alarm Clock.[citation needed]

    The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health. Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of heart and renal failure.[8] The Seeds\' original drummer Rick Andridge died in 2011.[9]

    Legacy and influence[edit]

    The Seeds have been among the most frequently cited pre-punk influences by American punk musicians since the 1970s. Cover versions of various Seeds songs have been recorded by The Dwarves, Alex Chilton,[10]Johnny Thunders,[11]The Ramones,[12]Yo La Tengo,[13]Garbage,[14]Murder City Devils,[15]Spirits in the Sky,[16]Paul Parker,[17]Pere Ubu,[18]The Makers,[19]The Embarrassment,[20]The Bangles,[21]The Rubinoos,[22]Strawberry Alarm Clock,[23] and other artists. Some lyrics in Frank Zappa\'s album Joe\'s Garage satirically refer to \'Pushin\' Too Hard\': \'You\'re plooking too hard, Plooking too hard on ME\'.[24]

    On July 24, 2009, members of The Smashing Pumpkins, Members of The Strawberry Alarm Clock, Nels Kline and The Electric Prunes performed a tribute concert at the Echoplex in Los Angeles in memory of Sky Saxon.[25]

    A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin\' Too Hard was directed by Neil Norman. The film draws on first-hand knowledge of the band, interviews, and concert footage. [3][26][27] In June 2017, a \'reunited version\' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in Grass Valley, California. The band continues to perform to this day. [28]

    Discography[edit]

    Studio albums[edit]

    • The Seeds (1966)
    • A Web of Sound (1966)
    • Future (1967)
    • A Full Spoon of Seedy Blues (as the Sky Saxon Blues Band) (1967)
    • Raw & Alive: The Seeds in Concert at Merlin\'s Music Box (1968)
    • Fallin\' Off the Edge (1977)
    • Bad Part of Town (1982)
    • Evil Hoodoo (1988)
    • Travel with Your Mind (1993)
    • Red Planet (2004)
    • Back to the Garden (2008)
    • The Seeds (reissued in mono with unreleased tracks) (2013)
    • Web of Sound (double CD mono/stereo reissued with unreleased tracks) (2014)
    • Future (double CD mono/stereo reissued with unreleased tracks) (2014)
    • Raw & Alive (double CD two concerts, the original without screaming and with crowd, and another earlier studio concert) (2014)

    Singles[edit]

    \'Popmundo
    YearSongPeak chart positions
    U.S. Billboard[29]U.S. CashboxCAN
    1965\'Can\'t Seem to Make You Mine\'
    b/w \'Daisy Mae\'
    \'Pushin\' Too Hard\'
    b/w \'Out of the Question\'
    1966\'Pushin\' Too Hard\' (re-release)
    b/w \'Try to Understand\'
    3640[30]44
    \'Mr. Farmer\'
    b/w \'No Escape\'
    1967\'Mr. Farmer\' (re-release)
    b/w \'Up in Her Room\'
    86
    \'Can\'t Seem to Make You Mine\' (re-release)
    b/w \'I Tell Myself\'
    4155[31]33
    \'A Thousand Shadows\'
    b/w \'March of the Flower Children\'
    7286[32]
    \'The Wind Blows Your Hair\'
    b/w \'Six Dreams\'
    1968\'Satisfy You\'
    b/w \'900 Million People Daily Making Love\'
    1969\'Fallin\' Off the Edge of My Mind\'
    b/w \'Wild Blood\'
    '—\' denotes releases that did not chart.

    References[edit]

    1. ^Reid, Graham (October 13, 2014). \'The Seeds: Singles As and Bs 1065–1970 (Big Beat/Border)\'. Retrieved September 17, 2016.
    2. ^Patoski, Joe Nick (February 1979). \'Gather Ye Records While Ye May\'. Texas Monthly. Vol. 7 no. 2. p. 144. ISSN0148-7736.
    3. ^ abBrian Addison (July 10, 2014). \'Prototype Garage Punk Band The Seeds to Have Documentary Screening in Long Beach\'. Long Beach Post. Retrieved May 11, 2016.
    4. ^Weber, Bruce (June 26, 2009). \'Sky Saxon, Lead Singer and Bassist for the Seeds, Dies\'. The New York Times.
    5. ^Pehling, Dave (January 1, 2019). \'Iconic LA Bands From \'60s Team Up at the Chapel\'. San Francisco: CBS News.
    6. ^Peter Buckley (2003). The Rough Guide to Rock. Rough Guides. p. 916.
    7. ^Spitz, Mark (2001). We Got the Neutron Bomb: The Untold Story of L.A. Punk. Danvers, Massachusetts: Three Rivers Press. p. 2. ISBN978-0-609-80774-3. Retrieved May 12, 2016.
    8. ^\'Yahoo\'. Spinner.com. Retrieved August 13, 2019.
    9. ^\'\'The Seeds: Pushin\' Too Hard\': Film Review\'. The Hollywood Reporter. Retrieved August 13, 2019.
    10. ^\'\'Bangkok/Can\'t Seem to Make You Mine\' – Overview\'. AllMusic. Retrieved January 24, 2012.
    11. ^Schoemer, Karen (April 1989). \'Spin Offs\'. Spin. SPIN Media LLC. 5 (1): 113. ISSN0886-3032.
    12. ^\'Album Reviews\'. Billboard. 106 (3): 44. January 15, 1994. ISSN0006-2510.
    13. ^Robbins, Ira. \'Trouser Press – Yo La Tengo\'. Trouser Press. Retrieved January 24, 2012.
    14. ^Strong, Martin Charles (2006). The Great Rock Discography. Edinburgh: Canongate Books. p. 431. ISBN978-1-84195-860-6.
    15. ^Cantalini, Chris (August 25, 2007). \'Can\'t Seem to Make You Mine\'. Gorilla vs. Bear. Retrieved January 24, 2012.
    16. ^Bronson, Kevin (August 29, 2009). \'Billy Corgan, Dave Navarro Debut 10 Songs\'. Spin. Retrieved January 24, 2012.
    17. ^Shapiro, Peter (2006). Turn the Beat Around: The Secret History of Disco. New York: Faber and Faber. p. 79. ISBN978-0-86547-952-4.
    18. ^\'Datapanik in Year Zero - Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
    19. ^\'Shout On!/Hip-Notic – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
    20. ^\'Blister Pop – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
    21. ^McIntosh, Dan (August 14, 2007). \'The Bangles: Return to Bangleonia: Live in Concert [DVD]\'. PopMatters). Retrieved August 2, 2010.
    22. ^\'Everything You Always Wanted to Know About the Rubinoos – Overview\'. Allmusic (Rovi Corporation). Retrieved August 2, 2010.
    23. ^Britton, Wesley (June 24, 2012). \'Music Review: Strawberry Alarm Clock – \'Wake Up Where You Are\'\'. Seattle Post-Intelligencer. Retrieved August 7, 2012.
    24. ^McDonald, Lisa (October 27, 2010). \'Project/Object an interview with Andre Cholmondeley\'. TimesSquare.com. Retrieved June 28, 2012.
    25. ^\'A Tribute to Sky Saxon – at The Echoplex – Los Angeles / Silverlake, CA – July 24, 2009\'. Big Wheel Magazine. July 24, 2009. Retrieved December 18, 2012.
    26. ^Stax, Mike (2013). \'A Web of Seeds\' Issue 35, Ugly Things Magazine.
    27. ^Kubernik, Harvey (2013). \'Pushin\' Too Hard: Rags to Riches in the New Seeds Documentary\' recordcollectornews.com. Retrieved August 21, 2013
    28. ^Lynch, Joe (June 2, 2017). \'The Seeds: Pioneering Garage Rock Drummer Talks \'60s Revolution & Reuniting Nearly 50 Years Later\'. Billboard.
    29. ^\'The Seeds Album & Song Chart History\'. Billboard. Retrieved October 17, 2012.
    30. ^\'Cash Box Top 100 2/25/67\'. Cashbox Magazine, Inc. Archived from the original on August 14, 2012. Retrieved October 17, 2012.
    31. ^\'Cash Box Top 100 6/3/67\'. Cashbox Magazine, Inc. Archived from the original on September 5, 2012. Retrieved October 17, 2012.
    32. ^\'Cash Box Top 100 8/5/67\'. Cashbox Magazine, Inc. Archived from the original on September 11, 2012. Retrieved October 17, 2012.

    External links[edit]

    Retrieved from \'https://en.wikipedia.org/w/index.php?title=The_Seeds&oldid=931499914\'

    The group in 1966. From left: Rick Andridge, Daryl Hooper, and Jan SavageBackground informationOriginLos Angeles, California, United StatesGenres,Years active1965–1969, 1969–1972 (as Sky Saxon and the Seeds), 1989, 2003–2009Labels, Bam CarusoMembersDaryl HooperJan SavageDon BoomerPaul KopfJeff PrenticeAlec PalaoPast membersDaryl HooperJan SavageRick AndridgeDon BoomerBob NorsophBill ChiapparelliThe Seeds were an American rock band formed in Los Angeles, California in 1965. The group became known for music and is considered a prototype for rock bands. Contents.History The Seeds were formed in 1965 when lead singer responded to an advertisement. Saxon, who had relocated to Los Angeles from Salt Lake City, had recorded a string of 45s under the name Richie Marsh.

    The band secured regular gigs at the LA club Bido Lito\'s and quickly gained a local reputation for high energy live performances.Keyboardist Daryl Hooper was a major factor in the Seeds\' sound; the band was one of the first to utilize. Guitarists Jan Savage and Jeremy Levine along with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon was usually credited as bass player, he did not play bass on any of the Seeds\' recordings. This was handled by session musicians, usually Harvey Sharpe. On stage, keyboardist Daryl Hooper would perform the bass parts via a separate bass keyboard, in the same manner as later did with.The Seeds\' first single, \', was a regional in in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners, and eventually went on to become, and is considered today, a 60s cult classic song.

    The band had a national hit, \', in 1966 and performed the song on national television. Three subsequent singles, \' (also 1966), a re-release of \'Can\'t Seem To Make You Mine\' (1967), and \' (1967) achieved more modest success, although all were most popular in southern California. Musically uncomplicated with a flair for simple melodic hooks and dominated by Saxon\'s unorthodox vocal delivery, their first two albums, and, are today considered classics of 1960s music. Tiny troopers game. A major turning point for the Seeds came in 1967. The band\'s self-produced third album presented a grander psychedelic artistic statement and thrust the group forward as torchbearers during perhaps the most creative and experimental time in American pop culture and music history. The more expansive musical style with accompanying orchestration – presented with a sleeve featuring ornate flower-themed artwork by painter Sassin – was a departure from the rawer tone of the band\'s previous hits, but nevertheless received acclaim from fans and critics as a notable work of.

    It remains a genre curiosity piece today and is regarded as a pioneering effort in full-blown psychedelic rock., and members of the have all sourced the band, mentioning this album and previous ones as genre classics. The release of Future in mid-1967 generally marked the commercial peak of the Seeds’ career, coinciding with a major national hit, raucous concerts, numerous live TV performances, as well as prominent guest appearances on the NBC sitcom and in the /-themed. The Seeds also recorded another album devoted specifically to the blues (with liner notes by )., bearing the artist moniker Sky Saxon Blues Band, was released in November 1967.In May 1968 the band released their final LP for GNP Crescendo Records, which musically revisited their more aggressive garage rock roots. However, the album and its accompanying single \'Satisfy You\' both failed to chart nationally. The band was renamed \'Sky Saxon and the Seeds\' in 1968, by which point Bob Norsoph (guitar) and Don Boomer (drums) had replaced Savage and Andridge respectively. Saxon continued to use the name \'The Seeds\', utilizing various backup musicians, at least through 1972. The last major-label records of new material by The Seeds —two non-charting singles on MGM records – were released in 1970.After the dissolution of the Seeds, Sky Saxon joined the religious group, inspired by their leader.

    Although a member of the Source Family for several years, Saxon did not participate in any of the albums released by Yahowha 13 in the mid 1970s. He does appear on the \'Golden Sunrise\' album by Fire Water Air, which was a Yahowha 13 offshoot, and later recorded the \'Yod Ship Suite\' album in memory of the deceased Father Yod. In the 1970s, Saxon also released the solo LPs \'Lovers Cosmic Voyage\' (credited to Sunlight) and \'Live at the Orpheum\' credited to Sunlight Rainbow. In the 1980s, Saxon collaborated with several bands—including and —before reforming the original Seeds in 1989 to headline \'The Summer of Love Tour\', along with, and, and The. The Seeds remained dormant again until 2003, when Saxon reformed them with original guitarist Jan Savage and newcomers Rik Collins on bass, Mark Bellgraph on guitar, and Dave Klein on keyboards and Justin Polimeni on Drums. This new version of the Seeds went through several incarnations, with Savage departing midway through their 2003 European tour due to his health.

    Saxon remained the only original member of the Seeds, which continued to tour Europe and the United States. Saxon died on June 25, 2009 of. The Seeds\' original drummer Rick Andridge died in 2011. Legacy and influence The Seeds have been among the most frequently cited pre-punk influences by American musicians since the 1970s.

    Cover versions of various Seeds songs have been recorded by, and other artists. Some lyrics in \'s album satirically refer to \'Pushin\' Too Hard\': \'You\'re plooking too hard, Plooking too hard on ME\'.On July 24, 2009, members of, and performed a tribute concert at the Echoplex in Los Angeles in memory of.A 2014 feature-length documentary film about the Seeds titled The Seeds: Pushin\' Too Hard was directed by Neil Norman.

    The film draws on first-hand knowledge of the band, interviews, and concert footage. In June 2017, a \'reunited version\' of the band (with founding member Daryl Hooper and drummer Don Boomer) and Paul Kopf on lead vocals) gave their first performance after a viewing of the documentary at the Center for the Arts in.

    The band continues to perform to this day. (October 13, 2014). Retrieved September 17, 2016. Patoski, Joe Nick (February 1979). Vol. 7 no. 2.

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    Retrieved August 13, 2019. Retrieved January 24, 2012. Schoemer, Karen (April 1989). \'Spin Offs\'.

    SPIN Media LLC. 5 (1): 113. \'Album Reviews\'. January 15, 1994.

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    Strong, Martin Charles (2006). The Great Rock Discography. P. 431. Cantalini, Chris (August 25, 2007). Retrieved January 24, 2012. Bronson, Kevin (August 29, 2009). Retrieved January 24, 2012.

    Shapiro, Peter (2006). Retrieved August 2, 2010. Retrieved August 2, 2010. Retrieved August 2, 2010.

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    Retrieved June 28, 2012. Big Wheel Magazine. July 24, 2009.

    Retrieved December 18, 2012. Stax, Mike (2013). \'A Web of Seeds\' Issue 35, Ugly Things Magazine. Kubernik, Harvey (2013).

    Retrieved August 21, 2013. Lynch, Joe (June 2, 2017). Retrieved October 17, 2012.

    Archived from on August 14, 2012. Retrieved October 17, 2012. Archived from on September 5, 2012. Retrieved October 17, 2012. Archived from on September 11, 2012.

    Retrieved October 17, 2012.External links.

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